09/01/2010

More circuses than bread


I'm afraid I haven't really found the time or the impetus to write about my brief stay in Conakry in November. That's partly because there's quite a lot about the work I can't really describe here. What struck me most, though, was the forced banality of life in the CNDD's Guinea.

This is the Jardin du 2 Octobre in downtown Conakry. Named after Guinea's independence anniversary, it's presumably supposed to commemorate the achievements of the independent Guinean people. But at the moment in has freshly-painted pictures of Donald Duck and Goofy around its walls. In fact, it's one of two freshly painted buildings in the city. The rest of Guinea's capital - its decrepit hospitals, its parliament building, its stained villas and empty hotels - is crumbling gently into the sea. Even some of the mining companies have sent their foreign staff home, and when we were there a single cargo ship was sitting in the city's port. But in late November, on the eve of the fete of Tabaski - the celebration of the return from the Haj - Conakry's public gardens were grandly opened after extensive refurbishment. On Tabaski itself there were hundreds of people queuing with their children, waiting to play on the park's newly installed children's rides: all laid on by the government, the queues watched over by bored soldiers and the rusty T-55 tank that the regime have stationed at the adjacent crossroads since the December 2008 coup brought the CNDD junta to power.

This was just six weeks after Conakry's security forces killed over 150 people and gang-raped dozens of women during an opposition rally calling for the CNDD to cede power. As Guineans queued with their children to ride on the Mickey Mouse merry-go-rounds, soldiers were still stealing diplomatic cars and driving them into Conakry's suburbs to arrest 'troublemakers'.

(Ironically, the renovation of the Jardin has reportedly been paid for by a Lebanese businessman, close to the CNDD and the predecessor regime, who the opposition 'Forces Vives' claim has recently helped procure military equipment for the junta's newly formed militias. They've produced no concrete evidence for this - but the UN certainly thinks he has form: in 2003 the UN Panel of Experts on Liberia named his company as an intermediary in a series of arms shipments from Iran to Guinea, passed on, they claimed, to the Guinean-backed LURD rebels then engaged in their final brutal assault on Monrovia.)

Just down the road, Guinea's parliament building, the Palais des Peuples, is still empty of parliamentarians since the constitution was suspended in December 2008. Instead, last month it was turned over to the 'Miss Guinee' 2009 contest, another Tabaski treat laid on by the CNDD. The pageant was shown live on state TV (they must have needed something to fill the schedules after the president stopped his daily three-hour chat show). The day before, we saw 'les Miss' in our hotel's restaurant, decked out in ludicrously low-cut ball dresses, having the nervous privilege of being lunched by a dozen red-beret soldiers, including some of the CNDD's inner circle.

Conakry's other freshly-painted building is also named with a date. The Stade du 28 Septembre, the city's main football stadium, commemorates the 1958 referendum in which the Guinean people voted for complete independence from France; and now, of course, is synonymous with the most recent 28th September, when gendarmes and soldiers strafed the stands with Kalashnikovs and carried out gang rapes on the pitch. Just a couple of days after, still littered with empty cartridge cases, the stadium was cleaned from top to bottom, the blood washed away, and the entire stadium complex given a new coat of paint. Nothing to do with getting rid of forensic evidence, of course; an upcoming match with Burkina Faso simply meant that the stadium had to be spruced up...

At both the gardens and the stadium, the fresh paint is obviously part of a larger pretence that nothing's wrong. That attempt has manifestly failed. But I think maybe the partying wasn't a facade, despite almost everyone in Conakry having a friend, relative or acquaintance who had been recently injured or killed by the security forces. Several people we met said that they were glad there was a big Tabaski celebration: Guineans always party before they go back into the streets, they said. A diplomat told us that on the night of 27th September, despite the roadblocks, he'd never seen the clubs in Conakry so full or so frenetic. You always know that the opposition is planning a big demonstration, he said, because the clubs are overflowing the night before.

In a country where every major political demonstration for a decade has been met with indiscriminate, excessive and lethal force from the army's elite commando forces, that seems like gladiator spirit. It also shows the extraordinary political organisation of Guinea's political parties and trade unions. Peaceful demonstrators keep getting massacred because they keep going back into the streets; and that's testimony to the amazing ability of the parties and unions to motivate and mobilise people - through dense networks of friends and families - to go back into the streets.

03/01/2010

This might be fun...

...although "as soon as the information is ready" sounds a bit like "we've assigned half an intern in the Department for Whogivesatoss to do this, so we'll never have to publish it before the Tories get in. And they'll want to abolish it."

Home Department
Written answers and statements, 15 December 2009


Phil Woolas: In their response to a Report by the Public Administration Select Committee, 'Lobbying: Access and influence in Whitehall', the Government agreed to publish online, on a quarterly basis, information about ministerial meetings with outside interest groups. Information for the period 1 October to 31 December 2009 will be published by Departments as soon as the information is ready.

(Nicked from here)

10/12/2009

People are rectilinear

People are aliens.

People are rectilinear.

People are collapsible.

People are crabs.

People are instruments, devices, mechanisms.

People are hieroglyphs.

This is what I learned at Sadlers Wells last month, seeing Ballet Rambert's astonishing Tread Softly.

I don't know anything about dance, and very rarely go to see it. My companions - some of them quite serious dancers - were unimpressed. As a novice, I thought it was a complete revelation.

The revelation was seeing a human body moving all its parts in straight lines. To see how incredibly hard - and odd - it is to move with steady, pneumatic, geometric simplicity.

But what was really revelatory about this rectilinear, entirely alien movement, is that this is also how pop music dancing currently works. I think that's basically the argument of Tread Softly, if dance can have an argument. It overlaid Death and the Maiden with an incredibly proficient, dour MTV dance parody. I realise this sounds awful. In fact, it's oddly beautiful. But its main effect is to startle us into remembering that ever since Michael Jackson's Thriller, almost all mainstream pop music videos have had this kind of military choreography, with enslaved, coordinated ranks of dancing Britney puppets. And along the way, we forgot that the reason the dancers were dancing like that in Thriller was because they were supposed to be, er, zombies.

So now we think it's completely normal for pop singers to move like zombies. Or machines. That it's normal for pop music to turn human bodies into servomotors. And we've been so thoroughly inculcated with this aesthetic that when we see pop music videos, we don't realise how incredibly odd they are.

So what I learned at the ballet was that pop music dancing is one of the last bastions of a properly modernist aesthetic. Basically, because of Michael Jackson, the Vorticists colonised MTV, and we didn't notice.

Who knew?